Teaching

Baynes is a full-time teaching artist who has been on resident faculty at

University of Utah School of Dance

Ballet West

Repertory Dance Theatre

Her work in dance education has been featured by

TEDxSaltLakeCity

United Nations Civil Society

National Dance Education Organization

International Association for Dance Medicine & Science

Jessica has guest taught for institutions such as

The National Dance School of Panama

Ririe-Woodbury Dance Company

Barlow Arts Conservatory

artÉmotion

Weber State University

Brigham Young University

Ballet

Ballet

Baynes has taught all levels of ballet technique for a variety of ballet-focused institutions,. Currently, Jessica teaches weekly adult ballet classes at Ballet West in downtown Salt Lake City, UT.

Flamenco

Flamenco

Jessica has over a decade of training and four years of professional performance experience in Flamenco.

Between 2011-2015, Baynes toured with Sabor Anadaluz Flamenco Company, Novamenco the band, and DesiDance.

Jessica has guest taught Flamenco for the San Diego Ballet Summer Intensive, Barlow Arts Conservatory Summer Intensive, University of Utah School of Dance, Weber State University Department of Dance, San Diego School of Creative and Performing Arts, and the National Dance School of Panamá .

Jessica is a Flamenco technique instructor for Ballet West.

IMG_20210119_235439_392.jpg

Modern & Contemporary

Baynes holds her Bachelor of Fine Arts in Modern Dance, and teaches all age groups and levels of:

  • modern dance

  • contemporary dance

  • creative movement

  • improvisation

  • composition/choreography

Jessica taught Advanced Modern Dance Technique & Improvisation at Repertory Dance Theatre (RDT) and currently teaches Modern technique to all Ballet West Trainees and contemporary technique to all of Ballet West’s Professional Training Division students.

Classical+Pilates

Classical Pilates

Baynes holds a 600-hour Authentic Pilates™ Teacher Certification from the United States Pilates Association and the New York Pilates Studio©.

Jessica taught classical Pilates mat and reformer to ballet majors while on faculty at the University of Utah Department of Ballet.

She currently teaches Pilates mat to the students of Ballet West and offers private lessons in the community upon request.

Photo by Nora Lang.jpeg

Adaptive Dance

Jessica founded Healing in Motion Dance which teaches rehabilitative ballet classes to participants at University of Utah Health with neurological conditions such as stroke, multiple sclerosis, Parkinson’s disease, and traumatic brain injury.

Jessica’s research and field work in adaptive dance have been featured by United Nations Civil Society, National Dance Education Organization, TEDx, and International Association for Dance Medicine & Science.

She currently teaches adaptive dance for children with special needs for Movement Mentor at Ballet West.

Irish+Dance

Irish Dance

Jessica Baynes almost decade of training in Irish dance and comes from a traditional authentic Irish family whose culture has strongly influenced her artistic background.

Jessica grew up competitive Irish dancing with Harney Academy of Irish Dance and Malone Academy of Irish Dance, taking home medals from Oireachtas championships between 2006-2009.

Baynes has taught workshops for institutions such as An Dragan Ceilteach Irish Dancers, San Diego School of Creative and Performing Arts, University of Utah, Weber State University, and Ballet West Summer Intensive.

Guest workshops include: Intro to Ceili Dances, Intro to Irish Step Dancing, Injury Prevention for Irish Dancers, and Classical Pilates and Cross-Training for the Irish Dancer.

Teacher Trainings

Teacher Trainings

The classroom experience always begins with the quality of its teachers. Jessica works one-on-one with dance instructors in studios and training programs on curriculum and facilitation of empathetic leadership.

Jessica is a conference presenter and 2021 recipient of the National Dance Education Organization Professional Development Scholarship.

Testimonials

 
An amazing teacher who has the ability to connect with each of her students as she helps them to progress in their training
— Directress, Children’s Ballet Theatre
I have learned more from [her] ballet class than I have learned from any of my doctors. I have found an increased range of motion in both my affected arm and ankle and now I walk with little to no limp!
— Former adaptive dance student
Jessica’s classes were not only fun, but they stretched me and my knowledge... I wasn’t working out to work out, I was creating art, moving, doing something beautiful
— Former adult student
A phenomenal preschool teacher, and that’s not an easy age to instruct. I’m so glad my daughter got to take her class during COVID. She was a highlight in a tough time.
— Mother of a former preschool age student

Teaching Philosophy

As a dance educator with a focus in community accessibility, it is my mission to encourage personal growth and self-confidence through codified technique.

  • I am an enormous advocate for the life-changing potential of communal dance education. As young children, we first develop awareness of our body as it relates to others. This is a knowledge that influences how a person navigates their physical embodiment through life. I believe that dance strongly impacts how we understand our physical selves, the world around us, and the relationship between the two.

    Therefore, when teaching class, I integrate exercises which demand spatial awareness, kinesthetic empathy, and heightened proprioception. That way, when students leave the studio, they leave with a stronger mind-body connection and heightened sense of how their physical existence relates to their surroundings.

  • What drives my passion for education is my interest in personal development through community. In the classroom, I implement activities that include partnering, eye-contact, weight sharing, and group composition, in order to facilitate community.

    A significant part of my somatic background is in classical Pilates, also known as Contrology, which is the study of body control.  As a result, I make a point of educating dance students on their muscular anatomy, initiation, alignment, and control during technique classes.

    When introducing kinesiology concepts, I instruct through an inclusive and body-positive lens which, to me, means emphasizing the importance of:

    1.    listening and trusting the body’s cues on alignment and misalignment

    2.    savoring the joy of movement, no matter how large or small

    3.    moving for the love of dance and not for the love of perfection.